Kadaikutty Singam Movie Review by Praveena | Karthi, Sathyaraj, Sayyeshaa | Kadaikutty Singam Review
Kadaikutty Singam Movie Review by Praveena | Karthi,
Sathyaraj, Sayyeshaa, Soori| Kadaikutty Singam Review
When Suriya comes forward to produce a film starring his
brother Karthi, it must be exciting to hear, right? What if that was a
village-based multi-starrer family drama? That is what Kadaikutty Singam is.
Director Pandiraj helms this film that stars a battalion of fine actors that
include Sathyaraj, Soori, Sayyeshaa, Priya Bhavani Shankar, Arthana Binu,
Ponvannan, Bhanupriya, Viji Chandrashekar, Sriman, Soundararajan, Yuvarani,
Mounika, Ilavarasu, Maarimuthu and a host of others. D Imman, Velraj, Ruben,
Veerasamar and others make up the technical team.
Kadaikutty Singam (KKS) is a multi-conflicted rural drama
that has family values and farming as its core ingredients. After two marriages
and four daughters, Ranasingam (Sathyaraj) finally gets a male child Gunasingam
(Karthi), as per his wishes. What are the different troubles that this son can
possibly come face to face with, and how he tackles them all to make sure that
the family is intact, is what forms the crux of the story.
KKS manages to please its target audience by mixing the
perfect amount of commercial factors in a message-oriented presentation. The
first applause must go to Pandiraj for writing strong characters, with plenty
of moments to cherish through the course of its run. Each character gets its
chance to take the driver's seat and move the story forward. The screenplay
brings to the foray, strong dialogues and a gripping drama that picks up the
intensity right after the intermission. Pandiraj's attempt at making the
audience connect to the happenings proves to be successful in the latter half
of the film, with the narrative finding a smooth path as it progresses. The
director also demonstrates his experience in bringing out the life of the
character, not just through the writing but also by extracting lively
performances from the actors. Even though there are over 10-15 people playing
central characters, each of their approach to take charge of the situation at
hand is impressive.
Speaking of which, Karthi fits the bill and portrays his
role with conviction and subtlety, while Sayyeshaa is endearing throughout.
Priya Bhavani gets a meaty role and aces it, while Sathyaraj, Arthana, Viji
Chandrasekar, and Banupriya have their moments. Soori's one-liners are
admirable, though helter-skelter. His combination with Karthi is something to
watch out for. Mostly, it is the situation that plays the antagonist, as the
villain doesn't make a major impact, though having his share of adding nuisance
to the story-line. On the flipside, as most of the sequences are dialogue and
conflict-driven, a section of the audience might feel that it is too dramatic.
Which beyond a point, hurts the engagement factor.
The screenplay is formed with multiple layers contributing
to the conflicts within and outside the family. Given that, Ruben's editing
plays a major role in giving a sense of coherence to the film. Imman rushes in
with the Kaalai Theme and fills us up neatly. A couple of songs might seem like
speed-breakers in the screenplay. The fight scenes are interesting, though one
may feel that they could have been more striking in terms of choreography.
Apart from all these aspects, Velraj handles the camera like the professional
he is. The visuals certainly set the mood of the film, and the tone is
wonderfully conveyed.
In a nutshell, KKS is a well-written commercial pot-boiler
which could catch the right note among the drama lovers.
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