2.0 Tamil Movie Review by Praveena | Rajinikanth, Shankar, Akshay Kumar | Enthiran 2 Review Tamil
2.0 Tamil Movie Review by Praveena | Rajinikanth, Shankar,
Akshay Kumar | Enthiran 2 Review | 2Point0 Review in Tamil
#2.0Review #Enthiran2point0 #2point0Review
A sequel to India’s own robot story could not get better
than 2.0. The fact that Kollywood’s superstar is setup on a fiery duel with a
Bollywood superstar itself is mouth watering content. With great hype comes
great responsibility and very few directors in Indian cinema can carry that
momentum like Rajkumar Hirani, Shankar and Rajamouli. Shankar’s strength has
always been in magnifying simple things into larger than life; 2.0 is just
that. He draws inspiration from various Hollywood movies where the city is at
stake and how one man or rather here – one robot saves the day.
The sequel to Endhiran starts with a rather familiar
international storyline – The rise of a negative force that could destroy
everyone and there is only one savior. How a simple man’s dream gets destroyed
and he turns into the villain you would never dream off. Shankar has no qualms
in dealing with a done and dusted storyline, for he seems to rely heavily on
the VFX and streamlining the subject to suit nativity. He draws inspiration
from the phrase – What happens when an unstoppable force hits an immovable
object. It's just another day in the life of Vaseegaran, he continues his
research on robotics with his cute android - Nila (Amy) and all hell breaks
loose as cellphones start to fly away mysteriously. The reactions of a common
man in agony seems to be Shankar’s favorite; we have seen this in many of his
movies and this continues through the flick. So, with the Government and
military clueless, its time Chitti took charge and put an end to this monstrous
cell phone bird.
It’s a long wait for Akshay Kumar fans as he finally comes
in as Pakshi the bird lover. The
flashback is one of the finest you will see in a long time – Akshay as the
soft-spoken bird lover is beyond brilliant. The bonding between him and birds
is captured brilliantly by Nirav Shah, its as if watching Nat Geo on big screen
in 3D. Technically or emotionally, this 20-minute flashback are the best
moments of 2.0 and should leave your throat dry. This is exactly where Shankar
scores – drawing emotions out of little-known things that matter, but we tend
to neglect. Dear Akshay Kumar – you deserve an award for this flashback.
2.0 is an exaggeration of VFX, there is no harm in saying
that, but it’s been dealt in the most respectful and engaging manner. At least
every 5 minutes there is graphical content, but after a point of time you get
to lose the focus on if it is VFX as it blends into the storyline. Endhiran’s
biggest winner was Chitti undoubtedly as we loved Chitti’s style, laughs and
that sinister feel. However, Chitti’s scope is very limited in 2.0, the
expectation of some good ol’ chitti feel is completely amiss as all he is able
to do is laugh and remind us of Endhiran. Shankar suffers without a proper
dialogue writer; he misses Sujatha’s services miserably and this becomes
obvious in the climax when Chitti is out of words and all he does is
laugh. The grandeur of showdown between
Akshay and Rajini is a plethora of VFX, somehow because of the lack of
dialogues or proper setup of the scene it looks like a giant WWE match. This is
exactly what happened in Endhiran, and looks like it has come back to haunt
Shankar again.
Shankar continued to say 2.0 is nothing without Superstar,
it’s a true statement as Rajini just breezes into the role of Chitti, Vasee and
two other surprises with ease. At his age, this is simply respect. AR Rahman’s
music and all Resul Pookutty’s technicality aids Shankar’s vision well and the
songs just echo in the background. 2.0 is Shankar’s biggest vision, he has
aimed to reach the stars on a high note. What works is simply the performances,
flashback, VFX and 3D effects. The lack of proper dialogues loosens up the
screenplay which could have been more engaging towards the end.
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