Kaithi Movie Public Review By Praveena | Kaithi Review | Karthi | Lokesh Kanagaraj | SR Prabhu
Kaithi Movie
Public Review By Praveena | Kaithi Review | Karthi | Lokesh Kanagaraj | SR
Prabhu
#Kaithi
#KaithiReview #KaithiMovieReview
Kaithi Story:
A prisoner on parole, who’s on his way to meet his daughter, is enlisted by an
injured to protect a few cops. With the entire lot of gangsters in the place
after them, can the prisoner save the day?
Kaithi Review:
Kaithi begins with a superbly economical setup. A team of cops, headed by Bejoy
(Narain), has confiscated a record amount of cocaine, which is hidden in a
secret cell under the commissioner’s office. The drug mafia manages to put
almost every police officer in the place under sedation by spiking their
drinks. The injured Bejoy, has to enlist Dilli, a life-term prisoner who has
just stepped out of jail on parole and is hoping to finally meet the daughter
he has never seen, to save the situation. Meanwhile, a few college students
find themselves stranded in the commissioner’s office with a line constable for
company, and prevent the gangsters from breaking in and rescuing their boss.
Lokesh
Kanagaraj gives us all this in the first 20 minutes of Kaithi, a tense,
impressively shot (Sathyan Sooryan is the cinematographer) action thriller. The
director gives us a pure genre film minus the frills, like songs and romance,
that we are used to in Tamil cinema. Even though we get two hours of action
scenes, we hardly feel exhausted (the excellent action choreography is by
Anbariv). Like in a video game, Dilli has to cross challenges of varying
difficulty as he transports the cops to safety. We get different kinds of
stunts – a chase, a couple of fist fights and just when they seem to be getting
monotonous, a glorious shootout. The fact that the entire film happens in the
night gives it a unique flavour, as we are unsure what danger lurks in the
dark.
Lokesh also
comes up with an interesting bunch of characters, like the temperamental
brother of the gangster (Arjun Dass), the intrepid constable (George Mariyan),
the resourceful students, the spies in both the camps and the expectant
daughter. The performances are solid all around. Narain lends the right amount
of vulnerability, Dheena, as the hapless young lorry owner, adds some moments
of levity, while Karthi, whose beefed up look feels like Dilli could be a
slightly older version of Paruthiveeran, puts up a muscular performance. He
also moves you in the scene where he narrates his past in a lengthy shot.
If there is a
fault, it is that the film feels overlong for its genre, with a couple of
action blocks getting over-indulgent. But when it is action that we have signed
up for, we cannot complain much about that.
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